THE PERFECT KISS is a new project led by the multifaceted Joe Moore,
whom many of you already know from his “classic pop” facet fronting projects
like THE YEARNING and Lia Pamina. “Disconnect” is a mini-LP of electro-pop,
recorded with only a keyboard from 1985 – the Yamaha PortaSound PSS-450, that
his friend Jeanie Pugh’s father gave him. His companion on this new adventure
is Holly Vanags, a singer from Faringdon, Oxfordshire. Her stimulating voice,
delicate and intelligent, perfectly adapts to the musical and conceptual
universe of THE PERFECT KISS.
Using only a keyboard to record the eight songs on the album had
countless consequences. Obviously, it affected the sound of the album –
minimal, delicate, but agile and with a profoundly pop spirit. The thing is Joe
Moore reminds us more and more of Stephin Merrit, for his versatility, his
openness and prolificacy. In fact, THE PERFECT KISS, somehow, reminds us of
FUTURE BIBLE HEROES. Though it also reminds us of AU REVOIR SIMONE, LALI PUNA,
and even THE HUMAN LEAGUE. Another consequence had meta-musical effects. By using
a keyboard as the only recording instrument, with its presets, sounds, and
programmed drum machine, they couldn’t use a computer quantifier. This means
that the recording was deeply organic, and highly technically difficult as far
as playing the instrument goes. All these limitations were also a creative
challenge, and tracing all the sounds and exploring all the possibilities that
this Yamaha could offer turned out to be a tremendously entertaining and fun
for Joe.
In terms of lyrics: “Disconnect” moves away from the romanticism of Joe
Moore’s other projects, to embrace a certain cynicism and disillusionment with
today’s society. It is not in vain that the title of the album takes us to
Henry Alex Rubin’s magnificent movie. This is an album of songs about avoiding
the world that surrounds us (“I want to pause the world in motion, and mute the
chaos of this town”), about not being part of the trends that others follow on
social networks, TV, or the radio, that world that is always rushing and full of
lies and superficiality. The only sincere love song on the album is “Flicker”,
which looks for signs of hope and the possibility of a better future. A handful
of outstanding songs that broaden the author’s musical personality, and where
all his musical influences converge; from NEW ORDER to THE MAGNETIC FIELDS,
without leaving out LADYTRON, SAINT ETIENNE, and PET SHOP BOYS.
ΠΗΓΗ: elefantrecords.bandcamp.com
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